Chapter Text
You’re very troubled.
Bright red lights dull to a darker, velvety color as they reach a stark black flooring. They illuminate beige twine that’s strung over clean counters and square plates of clear water, twine that carries several photographs held up by clothespins. It’s very monochromatic, the color schemes in the room. The more vibrant, more lively colors are contained in developed polaroid film, labeled with dates, names, and locations. Your most recent one, labeled as 10/30, Riley, Heaton Park, was taken on the very date, in the very place, and of the very person you’ve labeled it with. Organization has always been very important to you.
It’s a weird contrast, your organization against your troubledness. On one hand, you like to keep everything in check, finding joy in having all of your belongings put together through some sort of connection they have―color, size, name―but on the other hand, something about that cleanliness throws you off sometimes. An unsettling ripple will center itself in your chest and create a circular wave that leaves the tips of your fingers tingling and your head a mess, your brain barely in control of your actions anymore, your hands somehow moving on their own and ruining everything you’ve organized. There’s been moments where your pictures have been ripped from the pins and thrown across the room, landing in water or on the floor or in the large vent in the corner of the room.
You’ve been able to keep it under control for a while, though. You haven’t had an episode in a while now. You scan the photos hung across the length of the twine, searching for a date, then finding one that sounds right. 08/17. So it’s been two months and fourteen days since your last outburst. A pretty good accomplishment, if you do say so yourself.
“‘s been a while,” you mumble under your breath, your index finger and thumb pinching the bottom of the polaroid, observing it. This one is labeled with Riley as well, taken in a tattoo shop somewhere in Sheffield. It’s a long ways away from where Riley lives, funnily enough. The tattoo artist must be good for him to drive so far. You’ve only seen a few of his tattoos, and wonder if he has any that he’s hiding from you. From you, you mentally scoff, as if he’s thinking about you at all.
He’s only seen you once. Riley’s a particularly mysterious character, at least to you. He only comes into the shop every other week, buying some variation of beef or pork. Two weeks ago he came in for pork belly, about two kilograms of it, and through some painful small talk, you learned he was making a pork dish for a gathering. He didn’t specify family gathering―he never does, which makes you think that either every gathering is a family gathering or no gathering is a family gathering―so you assume he’s talking about some kind of friend get-together.
Considering the dish he was making, all belly porchetta, you think he’s using around half a kilogram of pork belly per person, since that’s what you saw in a majority of the recipes you looked up. Assuming he did, you can guess that he had about three other people over, four if he didn’t make any for himself. You’re pretty confident that you know who the other three are. You’ve seen Riley around a few other people before, and it’s always the same three, and they have these weird nicknames for eachother.
Or, at least, you used to think they were just nicknames. The more you heard them talk, though, the more you realized that they weren’t just nicknames. They were titles. Ranks, even. Riley is Lieutenant, or L.t., his friend Price is Captain, one of his other friends is either Gaz or Sarge, and his other friend Mactavish is Johnny. That, you think, is an actual nickname, but still. So they’re military. You’ve never dwelled too much on that fact, knowing that it doesn’t change much of what you already know about their friend group.
You’re drawn to this friend group like a magnet to steel. You’ve taken a particular liking to Riley, though, who you’ve heard been called Lieutenant, L.t., and Ghost. Riley, who wears a black balaclava and has a blonde buzzcut that screams military so loudly you’re shocked you didn’t pick up on it earlier. Riley, whose dog tags hang on the coat rack near the front door of his flat, the black silencer around them rough to the touch. Riley, who chose the worst building to live in, considering the state of their locks.
You release the polaroid and it sways a little where it’s suspended in the air, before stilling. You feel an itch. An itch that follows the lines of your fingerprints, swirling, a corn maze-like pattern being used as a guide for it. Your I-2 stays hung around your neck by a thick strap, and your hands go to it almost immediately, fitting in the worn grooves that your fingers have created over the years.
Suddenly, causing you to lose your grip on the camera, the bell rings. Shit. Despite thinking about Riley, you forgot that this is his usual time. You take the camera off immediately and haphazardly set it down on the counter, dusting your hands off on your apron and rushing out of the room. The light outside is almost blinding, an ugly reminder of the outside world, and you squint for a moment to get past the too-white artificial lights and soon your eyes adjust to it. You walk up a few steps and open the door, walking a little further to get to the cash register, before seeing Riley patiently waiting near it. His card’s already in his hand.
“Sorry about that,” you apologize for the wait, grabbing a pair of latex gloves from under the counter and putting them on, “what’re you looking for today?”
Riley hums and watches you put on the gloves, “‘bout two half-kilos of ribeye, if you’ve got any.”
“We have exactly that much left, I believe,” you look up from your hands and give Riley a smile, “guess you’re taking the last few.”
“Guess so.” He’s a man of few words, but you still savor every one he speaks. It’s satisfying, the sharpness of his tone; it almost reminds you of cutting the fat off of a slab of meat. A thin blade against fatty tissue, cleanly hacking away at the white flesh, though leaving rough marks at some points.
You walk to the back, painfully aware of the window that allows Riley to see your every move, and see a partially butchered prime rib. There’s just enough for a ribeye and a rack of ribs, so you grab a clean meat cleaver from off the wall and chop off a good half kilogram of ribeye, laying the cut on a paper-covered scale and seeing that it’s just about half a kilogram. You trade off the cleaver to your non-dominant hand and reach for a sheet of paper, your gloved hand transferring the ribeye over to the brown paper and setting it off to the side.
You repeat the process again until you have two half kilo ribeyes, both wrapped in butcher paper, and you take off your gloves before putting on a new pair, not wanting to get meat juice all over the paper. You stack one on top of the other and carry the papered ribeyes out of the room, the door opening and closing behind you as you walk over to the register and set the two down. Riley watches you intently. You revel in the feeling of his eyes on you.
“Date night?” you ask, curious. You wonder if there’s someone new you’ll be able to observe. Maybe someone who can help you learn more about Riley.
He huffs out a laugh, something that makes you hold back a smile, and shakes his head, “No, not a date. Just a night.”
“Just a night…” you hum, not prodding further even if you want to, reminding yourself that you can’t poke too much or else he might never come back, “whatever you say.”
“I’m sure he wishes it were a date night,” Riley mutters, to which you let a smile crack through.
“Good luck with your not-date night, then,” you bid him farewell and Riley nods, leaving you with a “have a good night”, the bell above the door ringing as he exits the room. You let out a breath. Jesus.
—
Ghost doesn’t think you know how obvious you are. Given your youth, he supposes he shouldn’t be shocked at this level of ignorance, but still.
He’ll catch you in the corner of his eye. He thinks you think you’re being discreet, but that little camera you keep around your neck always seems to be swaying, and every time he looks a certain way, he can hear the small click and shutter of the camera. He can put two and two together. He’s not stupid, despite what you must think of him.
Ghost keeps the packaged meat in his hands, not bothering to conceal them as he makes his way back to his flat. It’s a pretty basic building, with picked-to-bits locks and door hinges in desperate need of some WD-40, something he didn’t really think about too much until you started coming around uninvited. He’s not sure if you’ve noticed the various cameras set up around his flat. If you have, he isn’t sure why you wouldn’t take them out―he’s sure that you can. That you have the ability to. Or, he might just be overestimating you. It’s hard to tell at this point.
Ghost wants to confront you, desperately so. He wants to walk up to you in your own shop, wants to hear you greet him and ask him what he’s looking for that particular day, and wants to see the look on your face as he asks you to bring some lithium grease the next time you come around to rid those doors of their squeakiness. He hopes that you’re frozen when he says it, like a deer in headlights, unable to think until he asks you if you really thought he wouldn’t figure it out. It sounds a little cruel, but he thinks, given everything he’s experienced, he’s entitled to a little cruelty, especially if it’s towards his own stalker.
You can handle it. He’s sure of it. He hasn’t been stalking you for as long as you have to him, but he’s essentially trained for this type of thing, so it comes much easier to him than he’s sure it does to you. As far as he knows, you haven’t gone through the same training as him. You don’t know what to look for. Given the inexperience you show in your actions, Ghost wants to assume that you’re self-taught, and picked this up recently. He doesn’t know if he should be flattered or not by the possibility of you getting into stalking because of him. Since, for some strange reason, he chose to go to your butcher shop instead of the one he would usually go to before the stalking.
You’re young. Younger than him, at least, by a lot. You’ve never told him your age or anything, but it’s not too hard to tell by looking at you and seeing the way you talk to other customers. You always seem to be a little more polite around him, less joking, aside from today. You’re more laidback with other customers. He wonders if your stalking habits prevent you from acting normal around him, so you compensate for that by trying to act too normal. Except, it doesn’t work, because he can see how you act around other customers. He’s seen your normal. He knows it’s not what you act like around him. Sure, it could be that you’re only normal around him and no other customers, but he’s seen you outside of work too. The only other possibility would be that you only act normal around him specifically, but that just wouldn’t make sense.
Ghost wonders if you get something out of this stalking. He doesn’t look into statistics too much, so he doesn’t really know if stalking is just more popular among the younger generation, or if you’re just special in that way. It could be a hobby, but he’d think that you’d be a little more careful if it was. A little more experienced, even. It might be that it’s an addiction; maybe you feel ashamed of your stalking, but you just can’t help it. However, if you did, Ghost doesn’t think you’d be so obvious about it. No, he thinks that you’d hide it more, that you’d be more nervous around him. While you’re anything but normal in his presence, you can still make conversation with him, and try your best not to bring up things that you know about him that you really shouldn’t. If you felt any kind of shame about it, he thinks you’d slip up more, because even though you’re sloppy, you still managed to go unnoticed under his radar for however long until he caught you for the first time.
The only reason that he knows it wasn’t your first time when he caught you was because of something that you could’ve easily avoided. You tend to mutter to yourself, whether on purpose or on autopilot, and when you’re taking photos of him, you like cursing out the camera when it somehow malfunctions or whispering directions under your breath. Left, get that thing he’s holding, he’s heard you mumble, oddly loud for someone who's trying so hard to be discreet, right… down… good.
It was disturbing at first. Ghost doesn’t find many things scary these days, but this came a little close to being scary; the thought of someone always watching him, documenting his every move, studying him like a researcher to a labrat. He’s never liked that caged feeling. Being unaware of your observation, not consenting to any of it, unable to consent to it because he’s not supposed to know that you’re stalking him at all.
The worst part, he thinks, is that he feels a weird sort of sympathy for you. Again, you’re young, you sell meat for way too cheap despite its quality, you probably barely understand the severity of your actions. He doesn’t want to underestimate you. God knows he’s done enough of that. But, for some strange reason, he feels so strongly that you don’t grasp exactly what you’re doing. It makes him feel a little bad for essentially fantasizing about confronting you, knowing how conflicted you must feel, being so obsessive over someone as mundane as him. Truly, he hasn’t told you anything to pique your interest, so it has to just be something about him that’s got you so eager to witness every little thing he does.
He doesn’t know what it is. He hopes that he’ll find out soon. Maybe that confrontation shouldn’t stay a fantasy.
Two weeks pass by like a short gust of wind. Quick, but still leaving Ghost a little disgruntled. He’s on his usual walk towards your shop, a small tingle on the tips of his fingers, an itch that won’t leave his palms, lingering on his hands like pins stuck in the cushion. The feeling is inexplicable, only noticeable by the time he had spotted the sign hanging over the red awning outside of your shop. He feels like he needs to grab something. Maybe he’s just that excited to get his hands on the pork tenderloin he intends to buy. Maybe he’s thrilled by the idea of asking you why he hears a camera shutter open every time he goes out in a relatively populated area.
The door bells ring as he walks in. You’re leaning against the counter, fidgeting with your gloves, your head whipping up when you hear the bells. You try to conceal it, but Ghost can see the ghost― haha, get it, ghost? Like his callsign? Oh, whatever ―of a smile appear on your face. It should make him feel sick, but for whatever reason, it only makes the itch grow. Ghost looks around the shop, seeing the empty place, and walks up to the counter.
“Busy day?” he asks, making you breathe out a laugh.
“Very,” you reply, your words short but always having that sense of incompletion, “what’re you looking for today?”
“Half a kilo of pork tenderloin,” Ghost answers, leaning against the counter as you nod and head to the back. He watches you through the glass, biting his tongue.
There’s so much he wants to ask.
You come back quickly, just a few minutes later, and Ghost finds himself face to face with a packaged pork tenderloin. You’re quiet as you type up his receipt, but he doesn’t bother to pull out his card. The itch is bothering him. The itch starts to crawl up his wrist, curling around it like a handcuff, running along his veins and making the hair on his arms stand up. It reaches his shoulder and hits an old scar from a fight a long time ago, then reaches his neck, manages to wrap itself around it like a rope, and suddenly―
“Why’d you take that picture of me?” Ghost’s voice interrupts the calm silence, replacing it with a sort of tension. He sees the way you freeze up, your head slowly lifting up, your eyes locking onto his, all confusion and nerves.
He doesn’t repeat himself. He just waits.
—
You blink. What?
“Sorry?” you laugh nervously, but Riley doesn’t budge. He only stares at you. You’re tempted to utilize your right to refuse service, but he isn’t technically servicing you, only talking to you.
“You know what I’m talking about,” Riley responds, not getting threatening, but still leaning forward a bit and narrowing his eyes at you, “‘bout two or three weeks ago, Heaton Park?
You stay silent, because despite your excessive planning, you never accounted for a possibility where Riley actually caught you. You guess you were so caught up in observing him that you never thought about what you would do if he ended up confronting you about it. You just didn’t think you were obvious. Maybe you aren’t obvious. Maybe Riley has developed a habit of being more aware of his surroundings or something after being in the military for so long, so much so that he was aware enough to detect your presence despite you keeping your distance.
Whatever it is, it has you choked up. You never imagined that you’d be in this position. It always felt like it’d be him who was confused, maybe even paranoid―but, surprisingly, it’s you.
When you don’t respond for a few more seconds, Riley doesn’t let up. He doesn’t go easy on you. He leans back but the state of his eyes don’t change, they don’t get any less skeptical or stormy, the gray-blue irises staring at you like two camera lenses. You swear you can hear a faint click every time he blinks, like he’s taking pictures of your every move, just as you had done to him. Like he’s observing you just as much as you observed him. You wonder, briefly, if this is how he feels when he senses your burning stare on him.
“Are you scared?” Riley asks, like an English Billy Loomis, “Did you ever think I was scared?”
You can feel a little sweat cultivating on your forehead. You’re sure Riley can see it too. His eyes flicker all over your face, and it feels like you’ve switched roles, with him being the researcher and you the subject.
You can’t respond. How are you supposed to? You’re not scared, you’re dreadfully curious, wanting so badly to grab the camcorder you haven’t used in a good few years and just record. You want a stenotype and a chair, with a body double to act as yourself, to watch yourself have this conversation and take notes. You need order. You need a judge, jury, and executioner, to be allowed to be the reporter, to copy every word that exits Riley’s mouth.
This is so out of his element. You knew he was confrontational, but―
“Do you never turn it off?” What? “The stalking?”
Stalking? “I think you should leave,” you force yourself to say, even if it leaves a suffocating feeling in your chest, forcing Riley away like this.
“I’m not mad,” Riley tries to reassure you, “I’m a little disappointed, though.”
“Disappointed?” you can’t help but repeat, despite your shock.
“Just a little,” Riley hums, so uncharacteristic of him, so unlike what you’ve seen from him. It’s so fascinating, yet horrifying.
You’re quiet again. He’s disappointed? You should be more scared of the fact that he knows what you’ve been doing, the hobby that you meant to keep under wraps until you managed to get to a place where you no longer needed to participate in it, but you somehow find yourself more saddened by the fact that your subject is disappointed in you. It makes no sense. You can’t put it into one of the little boxes you’ve folded up in your head.
“Does it make you mad?” What? “Knowing that I know what you’ve been doing?’
You can’t find the words to respond.
“Do you understand what you’re doing?” Riley asks with a level of understanding you could never foresee hearing from him, especially directed at you, “Did you know that you were stalking me?”
That word makes you actually freeze. You stop breathing for a moment, switching from automatic to manual, all because of that word. Stalking? It feels foreign even in your mind, feeling so taboo just to think, the word barely a part of your vocabulary. You can’t recall ever using it to describe what you’d been doing.
You don’t know if Riley senses this, or if it’s just the look on your face, but whatever it is, something seems to tell him that no, you weren’t aware of that. You don’t know how you didn’t know. Yeah, no shit, of course you were stalking him, how didn’t you know until now?
You genuinely don’t know what to do. Riley’s looking at you like you’re some kind of lost street dog, your palms are heating up, there’s a loud buzzing in your ears, and you think your voice box has somehow been turned off. You want to say something so bad. You want to apologize, even if you don’t entirely understand what you’re apologizing for. You want to defend yourself, because you weren’t aware of what you were doing. You want to do something. Anything.
“I’m gonna leave,” Riley sets a few tenners down on the counter, “but I need you to know that I’m not mad, okay?”
Oh, right. You’re not mad, just disappointed. Which is somehow worse than you being mad. “... Okay.”
Riley looks at you, scanning your face, searching you, “Okay?”
You nod and Riley exhales, picking up his pork tenderloin. “Have a good day.”
When he’s gone, you feel a wetness on your cheek, and bring your fingers up to your face with furrowed eyebrows. You’re crying.
—
Ghost doesn’t leave. He stays and watches you close up the shop, watching to see if anyone else stops by. He’s been doing it every few weeks after finding out about your hobby, always justifying it by telling himself he’s just looking out for you. It’s dangerous around here. It’s why he doesn’t live around these parts. You clearly don’t know that. Shit, if you were so unaware of your own stalking, how could you possibly be aware of the dangers around you?
You leave the shop and Ghost watches. You don’t even spare a glance in his direction, and that very fact tells him everything he needs to know. You’re vulnerable out here. You need his protection. You need it.
Ghost gets up from his kneeling position and dusts his hands off on his knees. He can protect you.