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Summary:

Painters are the villains in every story a Writer tells, and as a daughter of a respected writer household, you’ve been raised to put two things above all else: protect your own, and never forget who the enemy is.

When public fear of Painters surges in the city of Paris, you’re sent to live under the roof of the most powerful Painter houses, all in the name of “transparency.” Aline, the head of the Painters’ Council, meets you with eyes that never stop weighing you. Her husband Renoir, once your father’s closest friend, is far too ready to believe there’s a way to reach you.

And then there’s Verso, their son- mysterious, yet charming, extremely protective of his family and always a step to the side of himself, as if every word and every look is another mask he’s learned to wear.

Your job is to gain the Dessendre family’s trust and ensure the downfall of the enemy. But when you start to question the story you were raised to protect, what does it cost you to decide how the ending is written?

Notes:

Although I know it’s not canon, I read a theory somewhere about Renoir and I adore it. It was that Renoir was originally a Writer, from a Writer family, but his passion was Painting, and he fell in love with Aline who taught him how to Paint. So he abandoned his Writing side for her.

It’s a beautiful theory because it would explain the pure talent his children have for writing. We can see it in Verso’s Grandis (their name may even refer to his Writer Grandparents in this theory) inside his canvas that he was eloquent with speech and poetry--and with Alicia’s not one, but two typewriters in her room.

I thought, if a Writer and a Painter fell in love, how could live without being torn by the War or forced to pick a side? Could they find a way to break the cycle? The much deeper rooted cycle which is quoted by Renoir himself as “the folly of his(Verso’s) elders.”

Chapter 1: Prologue

Chapter Text

Prologue


There’s a saying that goes; the pen is mightier than the sword. And conveniently—or not, depending on which side you’re on—it keeps proving itself true.

Words are a thing that can be beautified on paper. They have this sort of…delicacy to them that can deeply touch one’s soul. There were many a times when a written piece would make a stranger laugh out loud, or leave them staring into nothingness until the lamps of their bedchambers burnt low. Sometimes, even a single line is enough to comfort an ache in someone’s chest. A thought that used to belong to one mind becomes something that lives in a thousand different heads at once. Writers learn how to shape these things with purpose; whole ideas, entire worlds that exist only between the covers of a book.

All created without a single stroke of paint.

And, like anything with that much reach, words don’t only move people gently. For the very same skill that can soften a heart, can just as easily make it lock up; like poison buried beneath the sweet taste of honey. That is the Gift of Writing, as it’s taught in certain households, powerful, and precise, and far more dangerous than any blade.

A story doesn’t need to be true to be believed, it only needs to be repeated. One newspaper becomes ten, ten becomes a few hundreds. An article clipped and shown to a neighbor, a line from an opinion piece repeated over coffee. And just like that, the rumors are whispered everywhere. A domino effect.

“A Painter’s hand holds unchecked power.”
“A Painter’s Gift is the sort of thing that shouldn’t belong to any person.”
“The Painters are dangerous and they must be stopped.”

The clever thing about it is if the headlines look like they come from everywhere, people stop asking who started them.

And when enough people feel unsettled, leaving things as they are stops being an option. Sooner or later, someone will stand up in a crowded room and say that a solution has to be brought forward in the name of public safety.