MaxAndMozart
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“Scottie—“ he began, as he poured me a glass. “Don’t say it, Harvey, I’m warning you…” “— I need a favour”. My chest deflated a little. So he did want something from you. He doesn’t care about you, he is just using you.
“Damn it Harvey”. I sighed, tapping the marble counter three times to shush the Voice.OR
A world in which Scottie and Harvey (MIGHT) end up toghether
Bookmarked by MaxAndMozart
18 Mar 2026
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Lifting the veil on the life of Thomas Shelby as he battles with the ghosts of his past and the consequences of his own ambitions.
Following the death of Polly Gray, we explore how he juggles family, marraige and addiction, and the toll it takes on the mental and physical health of Thomas Shelby.
Set between series 5 and 6.
Bookmarked by MaxAndMozart
16 Mar 2026
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She always tapped. No matter her mood or his. He’d call for her in that tone he used and she’d start tapping. Her finger, her foot, didn’t matter. And when they were done he’d watch her. He’d not noticed before, but he noticed now, the routine she followed. He’d watched her. She’d go to the washroom, wash him off of her. Then she’d put on her robe and leave the room. She’d come back a while later with a cup of tea- he could always smell the whiskey in it, though.
It was familiar to him, that routine. Hadn’t he watched her do it dozens of times?
Back when she’d been his whore and not his wife.
Bookmarked by MaxAndMozart
14 Mar 2026
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Elizabeth Stark makes a different choice and decides NOT to tell Thomas she is pregnant. In his office, she makes a request in hopes that it changes the trajectory of her life in a new and better direction.
Bookmarked by MaxAndMozart
14 Mar 2026
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“You've got to get away from them sometimes, Lizzie. Ruby’s old enough to walk, she can manage without you.”
Lizzie finds herself a cigarette, thanking Almighty God for dress-pockets.
“Why, because you need a regular fuck?”
She goes back to the sofa to dig out the lighter she knows is in the left side of Tommy's coat. There is a temptation to look at him that Lizzie chooses to ignore; she looks instead at the velvet monstrosity of a sofa (in the shadow, the cushions are vomit-colored).
Love languages, I think, but terribly broken.Bookmarked by MaxAndMozart
14 Mar 2026