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He finally cracks when Buck switches the station again, making a lingering pit stop on one that is just a loud crackling noise. Eddie reaches over and bats his hand away with a swift tap, jabbing his thumb at the off button and exhaling when the car goes silent.
Buck, beside him, huffs. “I was listening to that.”
Eddie can feel him staring, but keeps his own gaze focused on the road ahead and raises his brow. “To static?”
“I was trying to find a good station,” Buck mumbles, slouching down in his seat.
“Okay,” Eddie says evenly, “well, we’re five minutes from home. I think we can survive a little silence until then.”
A beat passes. Then, “Seven minutes.”
Eddie blinks. Blinks again. “What?”
“We’re seven minutes from home,” Buck corrects.
Jesus Christ. How hard is Eddie going to have to go to fuck the attitude out of him when they get home? He flicks on the indicator and turns down a familiar street. “Buck,” he sighs.
“What?”
Or: Buck brats. Eddie puts him back in his place.
Bookmarked by sandy6789
10 Apr 2026
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Buck cannot stop thinking about it.
Bookmarked by sandy6789
10 Apr 2026
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Bookmarked by sandy6789
10 Apr 2026
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What happens when an unrelentless force (Evan Buckley) meets a very much movable object (Eddie Diaz).
Bookmarked by sandy6789
10 Apr 2026
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“Sit” he gestures to the stool at the counter.
Buck goes easy. Always so obedient.
“Good boy.” It comes out rough. Buck’s eyes flutter shut. “Should I be calling you a good boy actually? What with you going around picking fights?” He keeps his tone gentle, teasing. He expects a joke back, something to break the tension, but Buck’s tone is painfully earnest, his eyes pleading.
“I’m good. I’ll be good.”
Or
Nobody ever tells Buck that he’s a good boy, and he’s such a good boy. Eddie endeavours to change that. Platonically, of course. Or at least it starts that way.Bookmarked by sandy6789
09 Apr 2026
