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In his 2009 book on Captain America comic books, war photography, and American propaganda, Everett claims: “There is nothing to suggest that either the graphic novels issued during the war or the photographs taken during Rogers’ stay with the Howling Commandos can serve as a basis for a queer reading of Rogers and Barnes’ relationship. But even more importantly, there is nothing to suggest that such a relationship ever existed in the first place, and as such, those queer readings are not only misguided, but also libelous” (197).
[from: Lynn E. Anderson, Captain America: Behind the Mask. Steve Rogers and the Contemporary Hero Narrative (New York: Palgrave Macmillan, 2012), p. 242.]
In the aftermath of Steve's return to the world of the living and the battle of New York, the academia and the Internet react.
Series
- Part 1 of half awake in a fake empire
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