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Rumi has never been blind to the way people look at her. She’s been in the public eye since she was ten years old. Being looked at—controlling the public’s eyes and wagging tongues, or handling it with grace—has been as much a constant lesson in her life as singing or swinging a sword. She’s good at it. Very good. But there has always been a safety net—they’re not really seeing her. They’re seeing Mi-yeong’s daughter, or Celine’s ward, or the face of HUNTR/X.
This is supposed to change that.
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